Bliss Out is a vinyl-only trio founded by friends Fraz, Becca and Adam — rooted in a shared love of music, movement and community. Born out of their own party series (which recently packed out Post Bar in Tottenham), their sets channel the spirit of house and disco’s queer foundations, drawing inspiration from pioneers like David Mancuso and the culture he helped shape.

Expect a journey through world groove, boogie, disco and early house — all played on wax, with a focus on warmth, flow and connection. Equally at home soundtracking a laid-back room or building towards something more dancefloor-driven, Bliss Out know how to read a space and let it evolve naturally.

Deep crates, open energy, and a love for the dancefloor in all its forms.

bring your dancing shoes

Friday. Main bar. From early into late.

Rhythm Addict founder Dan Goldsboro steps forward under his alias Deckore — a deeper, more introspective project rooted in contrast, texture and movement.

With over a decade in London’s music culture, he’s played everywhere from The O2 and Bestival to XOYO and Oval Space, sharing line-ups with the likes of Black Loops, Red Pig Flower, Juliet Fox, Anna Wall and Keb Darge. Now, Deckore shifts the focus — leaning into slower builds, left-field selections and a more considered approach to the dancefloor.

The name reflects that duality: central and marginal, refined but raw. Expect a journey through global grooves, jazz-leaning textures and club-ready rhythms — the kind of set that sits just as comfortably in a packed room as it does in a heads-down listening space.

For those who like it deep, patient and dialled in.

Teuchters Landed - Nippy Sweetie (EP Release) x The House Upstairs

To mark the release of Nippy Sweetie on Remmah, Teuchters Landed take over House Upstairs for a late-night session shaped by the same spirit as the record - wide-eyed, percussive and quietly euphoric.

The London/Scotland collaboration between Suzanne George and Alex Pearce moves between weighty, club-ready rhythms and more spacious, electro-leaning moments, drawing loose inspiration from the Optimo school of left-field dance music. It’s music built for that in-between zone, when the room softens, but the energy holds.

Expect a set that drifts through cosmic disco, stripped-back house and off-centre grooves, leaning into the deeper end of the floor without losing warmth.

The House Upstairs keeps things intimate — a living-room as a dancefloor with skyline views, dialled-in sound and a crowd there for the music.